Both the camera and the footballs were animated to create the scene and two core motion assets were created in a range of different formats. I used Cinema 4D as usual, with Octane for rendering, leveraging GSG Signal for the animation and re-timing within C4D for the speed ramp. X-Particles was used for the confetti. After Effects brought it all together, combining the copy, which was rendered as a still in Redshift (don't ask), the confetti and the grass texture which the designers at Mr D created. Files were supplied to Tesco's in house design team and they built their collateral around those assets. I would have liked the wall chart!